All posts tagged: history

An Insistence of Change: The Energy And Intent Behind the Outset of Italian Futurism

When Étienne-Jules Marey developed a way of recording several phases of movement in one photograph in 1882, it became one of the key ideas behind the onset of Futurism in the early 20th century. Focusing on progress and modernity, the Futurists sought to sweep away traditional artistic notions and replace them with an energetic celebration of the machine age. It emphasized on creating a unique and dynamic vision of the future with speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. The birth of Futurism was declared with an incendiary manifesto appeared in La gazzetta dell’Emilia on 5th February, 1909 by the Italian poet Filippo Tommaso Marinetti. The article was then republished in the French daily newspaper Le Figaro on Saturday 20 February 1909. According to the manifesto, Italy was to be delivered from its smelly gangrene of professors, archeologists, ciceroni and antiquarians and the Futurists would “sing the love of danger, the habit of energy and fearlessness”. Marinetti expressed a passionate loathing for everything old, especially political …

The Legacy of Cubism

The most radical movement in avant-garde art in Europe, the beginning of Cubism dated back to 1907 when Picasso completed his groundbreaking Les Demoiselles d’Avignon (The Young Ladies of Avignon, originally titled The Brothel of Avignon), a crowded canvas that portrays five nude female prostitutes in a brothel on Carrer d’Avinyó (Avignon Street) in Barcelona. Cubist painters portrayed the world as it was known, rather than as it was seen, challenging the idea of revolutionaries like Giotto and Brunelleschi who used one-point perspective to idealistically project and imitate the seen world onto canvas. Pablo Picasso and Georges Braque worked together in the beginning of 20th century to challenge this idea which had dominated the Western art since the Renaissance. The early phase of Cubism, which is often refereed to as Analytic Cubism, lasted until 1912. It entailed detailed analysis and dissection of objects and the space they occupied. As the poet and critic Guillaume Appollinaire observed, “Picasso studies an object the way a surgeon dissects a corpse”. Between 1913 and 1920 the development of Analytic …

The Georgian Christmas

A brief idea of Christmas in Georgian period (1714 – 1830) can be found in the novels of Jane Austin. In Pride and Prejudice Lizzie writes, “Mr. Darcy sends you all the love in the world that he can spare from me. You are all to come to Pemberley at Christmas.” or Caroline Bingley writes to Jane, “I sincerely hope your Christmas in Hertfordshire may abound in the gaieties which that season generally brings”. In Sense And Sensibility Sir John describes John Willoughby by saying “last Christmas at a little hop at the park, he danced from eight o’clock till four, without once sitting down.” In Mansfield Park there’s a holiday ball held at Christmas which Sir Thomas gives for Fanny and William. In Emma, Emma looks forward to Christmas because her sister’s family will visit for a week. In Persuasion, Austen paints a charming Christmas scene; “On one side was a table occupied by some chattering girls, cutting up silk and gold paper; and on the other were tressels and trays, bending under the …

Female Artists of the Victorian Era: Emma Sandys

Despite all the recent research, a very little is known of the life of Emma Sandys. A 19th century English Pre-Raphaelite artist and figure who sustained a successful career as an artist in the reign of Queen Victoria. It is believed that Emma was influenced by her brother Frederick Sandys, an associated artist of the Pre-Raphaelite brotherhood, and his friend Dante Gabriel Rossetti. Emma Sandys was born in Norwich and had received her early lessens in drawing and painting from her father Anthony Sands who was a dyer and an artist himself. It was around 1853, the family put a “y” to their surname. The medievalism in Emma Sandys paintings clearly exhibits the Pre-Raphaelite influences upon them. Her works were mainly portraits in both oil and chalk and most of them are seen to be gazing thoughtfully out of the frame enclosed in their own world. Sandys works are engrossing but we know so little of her that many of her paintings were previously considered as the work of her brother. Only recent researches have …

A Woman Ahead of Her Time: Susan Waters

When it comes to American Folk Art, one name pops up in mind first. The woman ahead of her time, a self-taught artist Susan Catherine Moore Waters or simply Susan Waters. Susan Catherine Moore Waters was born on May 18, 1823 in Binghamton, New York. The daughter of Sally Camp Moore (1788-a 1880) & Lark Moore (1790-1871). They moved near Friendsville, Pennsylvania, when Susan was a child & lived on a farm, which she painted as a landscape later. Susan was a self-taught artist with little formal training. She attended seminary school in Friendsville where she paid tuition of her sister and herself by painting copies for the course in Natural History. At 17, on June 27, 1841 she married William C. Waters whose Quaker connections determined the destinations of their frequent relocations. Susan portrayed a number of her early portraits in southern New York state. She became a successful excursive artist, a supporter of women’s rights and an animal rights activist. But William had a health problem and was unable to provide sufficient income …

A Brief History of Cubism

Cubism is an artistic movement started in early 20th century. The movement was principally pioneered by Pablo Picasso (Spanish, 1881–1973) and Georges Braque (French, 1882–1963) in Paris between 1907 to 1914. The cubist painters rejected the conventional notion of copying the traditional perspective of the subject. They were not compelled to copy form, color, texture and space, instead they employed geometric forms in depiction of subjects. The term “Cubism” derived from a comment made by the French art critic Louis Vauxcelles. Louis Vauzcelles described Braque’s work Houses at L’Estaque which he had painted at L’Estaque in emulation of Paul Cézanne (1839–1906) in 1908 as being composed of “cubes”. Pablo Picasso and Georges Braque first met in 1905, but in 1907 Braque was first acquainted with Picasso’s groundbreaking Les Demoiselles d’Avignon by Pablo Picasso himself. Les Demoiselles d’Avignon (The Brothel of Avignon) is considered to be the first cubist painting and was heavily influenced by African tribal art that Picasso had first seen in May or June, 1907 at ethnographic museum in the Palais du Trocadéro in Paris. …

TheLarchWood’s Song of the Day: Frank & Nancy Sinatra – Somethin’ Stupid

Originally posted on The Larch Wood:
? Originally written and recorded by Clarence Carson Parks II in 1966, Frank Sinatra and Nancy Sinatra’s 1967 rendition is an absolute bliss to listen to. The track was issued in 1967 as a single and later appeared on Frank  Sinatra’s 1967 album The World We Knew. Somethin’ Stupid is the TheLarchWood’s Song of the Day getting 5 conifer cones out of 5 for the day. Listen Below. ? ? The rendition was recorded on February 1, 1967 and was arranged by Billy Strange.