The Supper At Emmaus

The term tenebrism, from the Italian word tenebroso (gloomy), is used to describe the overall tonality in a painting where there is a violent contrasts of light and darkness in figurative compositions in order to heighten the dramatic effect. Although Michelangelo Merisi da Caravaggio was not the inventor of tenebrism, the term is often associated with him because his tenebrists paintings were so influential. He … Continue reading The Supper At Emmaus

A Brief History of SELF-TAUGHT & OUTSIDER ART

Outsider art had its origins in the psychiatric collections of 19th-century European psychiatric hospitals when some psychiatrists started to collect artworks produced by their patients. But it was originally recognized as a specific category of artistic production in the 20th century. Interest in the art of the mentally ill, along with the children, was first demonstrated by the members of Der Blaue Reiter (The Blue … Continue reading A Brief History of SELF-TAUGHT & OUTSIDER ART

The Readymade that Influenced the Nihilistic Dada, the Pop and Conceptual Art

The theory behind the “Readymade” was explained in an anonymous editorial published in the May 1917 issue of avant-garde magazine The Blind Man. An art and Dada journal organized briefly by Henri-Pierre Roché, Marcel Duchamp and Beatrice Wood in New York City. It read: “Whether Mr Mutt with his own hands made the fountain or not has no importance. He CHOSE it. He took an … Continue reading The Readymade that Influenced the Nihilistic Dada, the Pop and Conceptual Art

An Insistence of Change: The Energy And Intent Behind the Outset of Italian Futurism

When Étienne-Jules Marey developed a way of recording several phases of movement in one photograph in 1882, it became one of the key ideas behind the onset of Futurism in the early 20th century. Focusing on progress and modernity, the Futurists sought to sweep away traditional artistic notions and replace them with an energetic celebration of the machine age. They emphasized on creating a unique … Continue reading An Insistence of Change: The Energy And Intent Behind the Outset of Italian Futurism

The Legacy of Cubism

The most radical movement in avant-garde art in Europe, the beginning of Cubism dated back to 1907 when Picasso completed his groundbreaking Les Demoiselles d’Avignon (The Young Ladies of Avignon, originally titled The Brothel of Avignon), a crowded canvas that portrays five nude female prostitutes in a brothel on Carrer d’Avinyó (Avignon Street) in Barcelona. Cubist painters portrayed the world as it was known, rather … Continue reading The Legacy of Cubism

The Moonlight: John Atkinson Grimshaw

The “remarkable and imaginative painter” of Victorian Era who is best known for his somber moonlight upon urban landscapes and dockyards through leafless trees or cotton clouds expounded with pallid and augmented silhouettes, light and wet city streets. Born in Park Street, Leeds on 6 September 1836 to Mary and David Grimshaw, John Atkinson Grimshaw began his working life as a clerk for the Great … Continue reading The Moonlight: John Atkinson Grimshaw

Female Artists of the Victorian Era: Evelyn De Morgan

Evelyn De Morgan (Mary Evelyn Pickering) was an English painter in the reign of Queen Victoria, Edward VII and George V who was within the circle of later phase of the Pre-Raphaelites who took their influences from the romantic paintings of Dante Gabriel Rossetti and Sir Edward Coley Burne-Jones. Evelyn was born in 1855 to a upper middle class family in London and was introduced … Continue reading Female Artists of the Victorian Era: Evelyn De Morgan

Female Artists of the Victorian Era: Emma Sandys

Despite all the recent research, a very little is known of the life of Emma Sandys. A 19th century English Pre-Raphaelite artist and figure who sustained a successful career as an artist in the reign of Queen Victoria. It is believed that Emma was influenced by her brother Frederick Sandys, an associated artist of the Pre-Raphaelite brotherhood, and his friend Dante Gabriel Rossetti. Emma Sandys … Continue reading Female Artists of the Victorian Era: Emma Sandys

A Brief History of Cubism

Cubism is an artistic movement started in early 20th century. The movement was principally pioneered by Pablo Picasso (Spanish, 1881–1973) and Georges Braque (French, 1882–1963) in Paris between 1907 to 1914. The cubist painters rejected the conventional notion of copying the traditional perspective of the subject. They were not compelled to copy form, color, texture and space, instead they employed geometric forms in depiction of … Continue reading A Brief History of Cubism